New Work
- January 12th, 2012
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He was almost the greatest keyboard virtuoso the world has ever known and perhaps the most “showy.”
Los Angeles Times reporter Mark Swed recently reported that “An 1842 caricature of the dashing Hungarian at the
piano on stage in Berlin shows him as clearly the prototype for the modern rock star. With his left hand on the keys, he is waving to his mostly female audience with his right. The women sway, swoon, drink wine, blush, push close to the stage, fling flowers and examine thru the opera glasses every inch of the long- haired and leonine (handsome lion) Liszt. The atmoshere is as sexually charged as a Beatle concert a century -and-a-quarter later, when a small wave from Paul was all it took to arouse hysterical screams from teenage girls.”
Mark Swed continues: “Has anyone ever called Liszt the first feminist? Perhaps he was that too. He helped liberate 19th century women by tempting them to flout social conventions, making frank public expressions of female sexuality fashionable. ‘Lisztomania’ was the term the German poet Heinrich Heine coined at the time for this mass hysteria. Shocked by such displays, medical men investigated what they believed must be an underlying pathology infecting these ladies.”
Besides being a sex idol of the times, Franz Liszt retired from the concert state at 35 and lived 40 more years, after perhaps the most extraordinary career in all of music and the visual arts, which makes this year the 125th anniversary of his death.